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Abu Dhabi International Book Fair 2026German Exhibitors Universal Art Group (UAG) / Verlag Müller & Schindler

Universal Art Group (UAG) / Verlag Müller & Schindler

Booth number: 8G05
universalartgroup.com

About us

Universal Art Group (UAG) brings the world of art under one roof, combining tradition and innovation through master craftsmanship and state-of-the-art technologies. From the meticulous production of facsimiles and art books to bespoke merchandising, replicas, and digitisation using gigapixel technology, UAG supports museums and cultural institutions with expert publishing services, tailored projects, and international distribution.

Our mission is to preserve, curate, and disseminate art and cultural heritage across space and time. By fostering cross-cultural exchange, we make diverse artistic expressions accessible to audiences worldwide. Beyond publishing, UAG offers exhibition and content development services, creating bridges between institutions and the public.

With a multidisciplinary team devoted to excellence, UAG safeguards the legacy of the past while embracing modern innovation—ensuring that art continues to inspire, connect, and enrich future generations.

Because Culture Matters – Because Art Unites

Our publisher, Charlotte Kramer, together with German Ambassador Alexander Schönfelder, had the privilege of handing over a fine art facsimile leave to His Highness Sheikh Nahyan bin Zayed Al Nahyan.

The application of gold enhances the manuscript pages with a distinctive brilliance and refined grace. Its radiant sheen accentuates intricate details, lending the work an enduring sense of splendour and value.

3D embossing in real gold: High-quality and customised refinements tailored to your individual requirements.

Gilt edges with hallmarking: The gilt edge and the cut refinement as important elements of the traditional art of bookbinding.

Gold embellishment bestows the manuscript pages with an exquisite luminosity and timeless sophistication. Its shimmering surface highlights delicate artistry, creating an impression of lasting prestige and refinement.

Prepress stage and data preparation

Colour matching for quality assurance

Real gold leaf application

Gold application: Gold creates unique value and timeless elegance.

A visitor attentively admiring one of our works during the ADIBF.

Address

Universal Art Group (UAG) / Verlag Müller & Schindler
Innstrasse 7
84359 Simbach am Inn
Germany

E-mail: info@universalartgroup.com
Phone:  +49 8571 926129
Internet: universalartgroup.com

Contact person:

Alexander Wilhelm
Vice President International Marketing & Business Development
E-mail: wilhelm@universalartgroup.com
Phone: +43 664 2242648

Products & Services

Art
Humanities
Illustrated Books
Miscellaneous
Photography
  • Tradition & Innovation: Craftmanship combined with state-of-the-art technology

  • Digitisation: Gigapixel technology

  • Expert Publishing Services: Tailored projects for your institution, and international distribution

  • Cross-Cultural Exchange: Disseminating art and cultural heritage

Facsimiles – Art Books – Merchandising – Replicas – Digitisation – Exhibition & Content Development

Masterpieces of Islamic Book Illumination

For many centuries, fabulous manuscripts have been created throughout the Islamic world. Now, for the first time ever, some of them are partially reproduced as true-to-the-original Fine Art Facsimile Leaves. They form a unique collection, illustrating the artistry of calligraphers and book illuminators from more than ten centuries and from different cultural backgrounds in the Islamic world. Each leaf is exactly reproduced in every aspect down to the smallest detail according to the original.

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A luxury box, worked out in real leather with rich gold embossing protects the exclusively selected single leaves.

12 single leafs, exclusively selected from this edition, are available in a limited luxury edition.

The Prophet Muhammad in a Mountain Landscape with two Followers (from: Siyar-i Nabi („The Life of the Prophet“), Istanbul, around 1594-95 CE)

Riders with Lances (from: Kitāb al-maḫzūn ğāmiʿ al-funūn (“Treatise on Military Arts”), Egypt, 1470 CE)

Abū Zayd and al-Harith sailling on the Euphrates (from: Al-Maqāmāt by al-Ḥarīrī, Basra, 13th century CE)

Dedication picture (from: The Book of Theriac, around 1220-40)

Every single leaf is presented on a luxury paper passepartout. Describing texts in Arabic and English accompany each leaf, which is protected by a Luxury Presentation Map printed with foil gold.

The luxury box Masterpieces of Islamic Book Illumination complies a special selection of 12 valuable single fine art facsimile pages, collected in a leathern presentation case with gold embossing.

The luxury cassette 'Masterpieces of Islamic Book Art': A bridge between cultures, making the splendor of Islamic manuscripts authentically experienceable.

The Stars of Samarkand - Ulugh Beg’s Book of the Fixed Stars by Al-Sufi

The skies and their empirical observation have fascinated people worldwide – and this manuscript gives us a glimpse of fabled Samarkand, mythical center of the Silk Road in the 15th century and synonymous with oriental splendour under the Timurids. Ulugh Beg, a scientist on a ruler’s throne, had the famous 10th-century text of Al-Sufi calligraphed and painted as a magnificent manuscript for his library, depicting star constellations in 72 unique miniatures.

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Fol. 93 verso: Pegasus

A magnificent case protects the valuable facsimile.

The binding of the original, made of gold-embroidered fabric with gold-stamped leather edging and a flap, has been reproduced true to the original.

Fol. 38: Cepheus; The bearded face is a portrait of Ulugh Beg, who was made to appear in the night sky with this honourable tribute.

The open volume shows fol. 224v and fol. 225r, al-shudjāʿ, the Hydra, al-bāṭīa(h), the Crater, and al-ghurāb, the Raven.

Fol. 144: Virgo

Fol. 136: Leo. Leo is a prominent constellation located between Cancer and Virgo, and easily recognisable in the spring sky. It has many bright stars and a distinctive shape that recalls a crouching lion. The mane and shoulders of the lion also form an asterism known as the „Sickle“, which may look like an inverted question mark to modern observers.

This incredible handwritten manuscript is being published for the first time as a faithful facsimile edition in a strictly limited edition of only 600 hand-numbered copies worldwide.

The outside of the cover in leather and cloth.

The Parisian Sketchbooks by Leonardo da Vinci - personal ideas of the great universal genius

Step into the brilliant mind of Leonardo da Vinci: The 12 Paris Notebooks and their two supplement volumes from the Institut de France are now available as a meticulous facsimile edition – strictly limited to 990 copies worldwide. This monumental project is divided into four series, three of which have already been published.

Five-hundred years after the death of one the greatest geniuses of all times, our publishing house issues a unique testimony of Leonardo da Vinci’s creations and ideas which allows you to immerse in the thoughts of this great Renaissance Man.

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A luxurious leather case protects this valuable edition.

This set, which is the first out of four, includes Manuscript A, Manuscript suppl. A, Manuscript E, and Manuscript M out of the twelve sketchbooks treasured at the Institut de France.

Leonardo's twelve Paris sketchbooks and the two supplementary volumes are being made available as a perfect, faithful facsimile edition, limited to 990 copies.

First serie: Manuscript A, Compl. Manuscript A (Codex Ashburnham I), Manuscript E and Manuscript M

Faithful reproduction of the binding.

Leonardo frequently switches spontaneously between completely different subjects. This loose combination of various notes and drawings on different topics, typical for all his notebooks, can be attributed to the way Leonardo wrote them.

Throughout his life, the great Leonardo da Vinci always carried a notebook with him to immediately capture ideas.

The first four volumes containing notes from various fields, such as drawing techniques, the properties of water, weight and gravity, as well as geometry and botany.

The 12 Notebooks of Leonardo da Vinci – A Glimpse into the Creative Mind of a Genius Ahead of His Time.

About Plants and Animals – A medical house book from the Middle Ages

During the third quarter of the 12th century, unknown artists in Northern France or England created a fascinating manuscript: a medical house book, which is now published for the first time as a perfect and faithful facsimile edition, limited to 900 copies worldwide. The original is held under the signature Sloane MS 1975 in the British Library in London.

Our manuscript offers a unique testimony of its time, not only from the point of view of medicine, pharmacology and the history of science, but also with regard to the history of mentalities and history of art. More than 240 skilfully executed illustrations, which offer an exceptional insight into the knowledge of the era, display plants, animals and medical treatment methods, converting each image into a little work of art, full of colours and splendidly decorated with gold and silver. The strongly stylised illustrations of plants, some of them almost arabesque-like, are found on nearly every page of the compendium, and together with the wonderful depictions of animals make this manuscript a unique gem of medieval book art.

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The extraordinarily rich and sophisticated execution of this splendid manuscript indicates that the book was created for the extensive collection of a cultured, high-ranking individual.

A magnificent box protects the precious facsimile volume.

The cover of the original, in classic black leather with the gilt embossed emblem of the Sloane Collection, has been exactly reproduced.

The emblem of the Sloane Collection represents with its five raised bands a genuine bibliophile masterpiece.

This compendium from the British Library includes the three most popular medical texts of the 12th century: the Herbarium of Pseudo-Apuleius, Pseudo-Dioscorides’ De herbis feminis and Sextus Placitus’ De medicina ex animalibus, along with other short medical texts.

Our manuscript offers a unique testimony of its time, not only from the point of view of medicine, pharmacology and the history of science, but also with regard to the history of mentalities and history of art.

Fol. 91v: Drug preparation and medical treatments. With our Augmented Reality App „Living Manuscripts“ you can bring this page to life. More information on our website.

Page by page, we move through a garden of health, full of wonders, discovering medieval herb lore, pharmacology and surgery in a splendidly executed manuscript.

Codex Cocharelli

A famous Genoese merchant family has created a wonderful monument to itself in this little book. The manuscript is remarkable for its unique artistic quality and its content, which reflects the turbulent political and economic history of Europe. In times of Mongol and Islamic threats, fragile intra-European power structures, the end of the Crusader states and lively trade between Europe and the Far East along the Silk Road, the experiences of this Genoese merchant family exemplify the history of Europe and Italy at that time.

The Codex Cocharelli was written between 1325 and 1335 and is now preserved in six fragments scattered across the globe, which have now been reunited in this facsimile edition. The original parts of the manuscript are held at the British Library in London (MS Add. 27695, MS Add. 28441, MS Egerton 3127 and MS Egerton 3781), the Museo Nazionale del Bargello in Florence (MS inv. 2065 Carrand) and the Museum of Art in Cleveland (Wade Fund, MS n. 1953.152). The facsimile edition is strictly limited to only 1,000 copies worldwide.

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The artistic execution of these magnificent miniatures can be attributed to Genoa's unique position as an important trading metropolis in the late Middle Ages, where a wide variety of cultures converged: French, Italian and Oriental elements are clearly evident in the images.

The Codex Cocharelli is characterised by incredibly detailed and fantastic border paintings, which open up a whole universe of plants, animals and scenic representations on practically every page.

Each page contains numerous details and uniquely colourful miniatures to discover, and the magnificent imagery of the Middle Ages is presented to us in a wonderful way and in the highest quality.

The frame text is a didactic text about vices and virtues, which aims to give the reader a deeper understanding through individual examples. The examples are mostly events from the time when the manuscript was written, making it a great source for history and politics, but also art and natural sciences.

The cover of the manuscript is made of fine green leather with blind embossing.

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